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Fashion From The Big Screen

These pieces have transcended their on-screen origins to become memorable elements in their own right.
Fashion - Aubrey Hepburn Fashion - Aubrey Hepburn
BREAKFAST IN TIFFANYS | Credit: Capote


Throughout the history of cinema, certain costumes and accessories have transcended their on-screen origins to become iconic elements in the fashion world. These items often gain cultural significance, spur fashion trends, and sometimes achieve astonishing values at auction. Among such items, The Wizard of Oz’s ruby slippers and The Red Shoes’ ballet shoes hold a special place.

Fashion - The Wizard of Oz
THE WIZARD OF OZ | Credit: Warner Bros., Metro-Goldwyn-Mayer
Ruby Slippers from The Wizard of Oz

Dorothy’s ruby slippers from The Wizard of Oz are arguably one of the most iconic items in film history. Designed by Gilbert Adrian, the sequinned red shoes were originally silver in L. Frank Baum’s novel but changed to ruby in the film to take advantage of Technicolor. They represent not just a pivotal plot device in the movie, but they also symbolise magic and the quest for home. Over the years, the slippers have attained immense cultural value, representing classic Hollywood glamour.

Several pairs of the original ruby slippers still exist, with one pair sold at auction for $2 million in 2000. Years later, in 2024, they were sold for $32.5 million. The enduring popularity of these shoes can be attributed to their association with the beloved film and to their striking, unforgettable appearance. They have inspired numerous fashion collections and special editions by designers who seek to capture a piece of their magic. The ruby slippers also regularly feature in pop culture references, ensuring that their legacy continues[2].

The Red Shoes - Technicolor
Fashion From The Big Screen 1
Ballet Shoes from The Red Shoes

Another significant contribution to fashion from cinema is the ballet shoes from The Red Shoes. The film, an adaptation of the Hans Christian Andersen fairy tale, showcased stunning ballet performances and focused intensely on the artistic struggle. The titular red shoes symbolise passion, obsession, and ultimately, the tragic beauty of art.

The influence of these shoes extends beyond the film itself, inspiring countless dancers and fashion designers. Their dramatic red colour and association with the elegance and discipline of ballet have made them a lasting symbol of artistic dedication. While not typically seen in high-fashion circles directly, the essence of the red ballet shoes can be understood to influence various fashion movements, particularly in designs that emphasise poise and intensity.

Fashion - Aubrey Hepburn
Fashion From The Big Screen 2
Audrey Hepburn’s Little Black Dress in Breakfast at Tiffany’s

Audrey Hepburn’s little black dress from the 1961 film Breakfast at Tiffany’s has become one of the most iconic fashion items in cinema history. Designed by Hubert de Givenchy, the dress is characterised by its sleek, sleeveless structure with a bateau neckline designed to accentuate Hepburn’s shoulders, along with distinctive demi-lune cutouts in the back and a thigh-high slit. This specific design infused the garment with an air of sophisticated allure, while also enhancing Hepburn’s natural elegance and poise.

The cultural impact of Hepburn’s little black dress is profound. Vogue likened the little black dress to Chanel’s Ford, referring to the Model T’s reputation for simplicity and accessibility across social classes, declaring it to be a sort of uniform for women of taste. Furthermore, the dress epitomised Coco Chanel’s original concept from the 1920s but reimagined for the 1960s Hollywood glamour. Over the years, it has retained and even grown in its status as a timeless piece of haute couture, embodying the enduring influence of Hepburn’s understated yet iconic style.

Marilyn Monroe’s White Halterneck Dress in The Seven Year Itch

The white halterneck dress worn by Marilyn Monroe in The Seven Year Itch is another legendary garment that has left an indelible mark on popular culture. This dress, designed by William Travilla, is famous for its scene where Monroe stands over a subway grate, and the dress billows upwards. This imagery has become an irreplaceable part of both Hollywood and fashion history.

Travilla’s design for the dress was both simple and striking, crafted to convey an aura of playful elegance and sensuality associated with Monroe. Its garment reconstruction has since become a popular choice for Halloween costumes, illustrating its widespread appeal and cultural penetration. Monroe’s dress not only highlighted her glamorous persona but also influenced 1950s fashion trends significantly, introducing an element of daring allure to women’s evening wear.

The dress has continued to generate interest long after Monroe’s passing, with sales tags and auction values reaching significant figures due to its historical and cultural significance. Her halterneck dress was reverence towards Monroe’s legacy that persisted even beyond her lifetime.

Tom Cruise’s Aviator Sunglasses in Top Gun

Tom Cruise’s aviator sunglasses worn in Top Gun became iconic fashion accessories almost immediately after the film’s release. This specific eyewear was designed by Randolph Engineering, known for their high-quality American-made sunglasses[5]. Cruise, playing the role of Pete “Maverick” Mitchell, brought these aviators into mainstream popularity, where they became synonymous with a rugged, cool aesthetic associated with military pilots.

The cultural impact of these aviator sunglasses is noteworthy. They represented a blend of functional style and masculine elegance, propelling the aviator style into everyday fashion. The significance of these items has been underscored in the memorability of their sales data; for instance, the auction value of Cruise’s Top Gun sunglasses started at a remarkable $10,000, highlighting their enduring value and desirability[6].

Costumes from Last Year at Marienbad

Last Year at Marienbad remains a masterpiece of the French New Wave and is acclaimed for its enigmatic narrative and distinctive visual style. The film, directed by Alain Resnais, features the sophisticated yet minimalist wardrobe of Delphine Seyrig’s character, encompassing layers of tulle, delicate chiffon, and dramatic feathers. These costumes contribute significantly to the surreal and ethereal atmosphere of the film.

The fashion in Last Year at Marienbad provided a visual representation of the film’s themes of memory, identity, and time. The choice of light, flowing fabrics juxtaposed with the film’s haunting and perplexing storyline accentuated the otherworldly, dreamlike quality that defines its cinematic impact.

Cultural Impact and Influence

The cultural impact of these fashion items can be attributed to their strong association with the characters and moments in the films that made them famous. Costumes like those mentioned not only become cherished memorabilia but also sources of inspiration for designers and fashion houses. These items transcend their cinematic contexts, influencing trends for years to come due to their memorable visual appeal and the emotions they evoke.

From the ruby slippers of The Wizard of Oz to the ballet shoes of The Red Shoes, many iconic fashion items from films have had a lasting influence on real-life fashion. These items not only gain significant cultural value but also inspire ongoing trends and maintain high economic value at auctions. The enduring impact of movie fashion highlights the profound ability of cinema to shape and reflect societal tastes and trends.