Soviet Montage theory is an approach to filmmaking that makes use of picture juxtaposition to convey a message. The Soviet filmmakers of the 1920s are credited with developing the montage theory style.
Rather than following the formulaic structure of a typical Hollywood picture, they set out to produce works that were both more exciting and more grounded in reality. Montage films frequently transition quickly from one scene to the next, using seemingly unconnected pictures to convey a narrative or demonstrate a point.
This method, which allows for the presentation of complex concepts in a very short amount of time, rose to prominence in post-war Western cinema. Developed by Sergei Eisenstein, the Soviet Montage Theory describes a certain style of filmmaking. It’s an approach of editing in which many shots are spliced together to convey a single idea or feeling.
This article will highlight the development of Soviet Montage and Sergei Eisenstein’s role in it.
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